October 26, 2018

10/25/18 - Reading "The Sound Effects Bible" (Finished)

 

Read 6 pages today.  Finished the last chapter today, which was basically some final remarks on finding inspiration and being creative, followed by a list of resources to continue learning with.  Of special interest to me was a list of films he suggests watching (or rather listening to) as examples of some of the best sound design out there.

Well, that concludes "The Sound Effects Bible"!  It was a great resource of knowledge and I'll probably revisit a few chapters as I progress in my creative endeavors, particularly when I finally upgrade my audio equipment to something a bit more professional.

Otherwise, not sure what I'm gonna do with this blog now, but I'm looking forward to learning/posting more!

October 24, 2018

10/24/18 - Reading "The Sound Effects Bible"


Been several months since my last post.  But I'm back, still working on my reading.  Didn't realize I was only about a chapter away from finishing, otherwise I would have probably tried to push harder to finish it when I was last reading it.  Regardless, here I am, looking forward to finishing and thinking about what I can do next with the blog.

Read 6 pages today. Continuing with the chapter called "The Sound Effects Encyclopedia". Today's topics included:
  • water sounds
  • weather and natural disaster sounds

And that wraps up "The Sound Effects Encyclopedia".  One chapter left to go.

July 4, 2018

7/3/18 - Reading "The Sound Effects Bible"

 

Read 10 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • warfare sounds

EDIT:  With this post, this year has officially been the most productive for my blog.  This marks 54 days of posts (so far), when my previous record was 53 (in 2015, when I first started the blog).  And I've still got 6 more months to go!  :)

June 29, 2018

6/29/18 - Reading "The Sound Effects Bible"


Read 3 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • vehicle sounds (cont.)

June 28, 2018

6/28/18 - Reading "The Sound Effects Bible"


Had some downtime today and noticed the book again.  Was going good there for a while, so I'm not sure how I stopped for so long.  Regardless, I'm back and excited to continue where I left off.  Read 9 pages today.  Continuing with "The Sound Effects Encyclopedia".   Today's topics included:
  • science fiction sounds
  • technology sounds
  • vehicle sounds

March 27, 2018

3/27/18 - Reading "The Sound Effects Bible"


Read 7 pages today.   Continuing with "The Sound Effects Encyclopedia".   Today's topics included:
  • industrial sounds
  • LFE (low-frequency effects)
  • multimedia effects
  • musical effects
  • office sounds

March 12, 2018

3/12/18 - Reading "The Sound Effects Bible"


Read 9 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • household sounds
  • human sounds
  • impact effects

March 11, 2018

3/11/18 - Reading "The Sound Effects Bible"


Read 9 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • foley sound effects (cont.)
  • horror effects

March 9, 2018

3/9/18 - Reading "The Sound Effects Bible"


Read 4 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • foley sound effects

March 7, 2018

3/7/18 - Reading "The Sound Effects Bible"


Read 6 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • explosion effects (cont.)

March 4, 2018

3/4/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • explosion effects

March 2, 2018

3/2/18 - Reading "The Sound Effects Bible"


Read 4 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • electronic effects / imaging elements

March 1, 2018

3/1/18 - Reading "The Sound Effects Bible"


Read 7 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • crowd sounds
  • emergency effects

February 27, 2018

2/27/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • crash sounds (cont.)

February 26, 2018

2/26/18 - Reading "The Sound Effects Bible"


Read 9 pages today.  Continuing with "The Sound Effects Encyclopedia".  Today's topics included:
  • cartoon effects
  • crash sounds

February 24, 2018

2/24/18 - Reading "The Sound Effects Bible"


Read 8 pages today.  Starting a big chapter called "The Sound Effects Encyclopedia".  Basically this chapter is going to be all about specific sound effects (and types of sound effects), and detailed instructions as to how to go about creating/designing them.  A really cool chapter that I've been waiting to read, and it'll probably last me for a quite a few posts.  Today's topics included:
  • ambience sounds
  • animal sounds

February 19, 2018

2/19/18 - Reading "The Sound Effects Bible"



Read 9 pages today.  Finished the chapter on sound design.  Topics included:
  • exaggeration vs. reality
  • layering
  • offsetting
  • looping/fading/blending
  • reversing
  • vocalizing
  • pitch shifting
  • sweetening
  • mixing
  • mastering
I need a lot more practice in all of these (though I think I'm pretty good at some), but I really want to learn more about the last three: sweetening, mixing, and mastering.  I think that's where I'm most lacking, and could be that final step for me between amateur and professional sounding audio.

February 14, 2018

2/14/18 - Reading "The Sound Effects Bible"



Read 4 pages today.  Starting a new chapter on sound design.  Topics included:
  • starting with clean audio
  • maintaining dynamics
  • scratch tracks
  • bouncing
  • subgroups

February 13, 2018

2/13/18 - Reading "The Sound Effects Bible"


Read 7 pages today.  A full short chapter on suggestions for organizing and naming files, and using metadata to search.  I'm well acquainted with digital organization, and I've already developed my own style, but it's interesting to see someone's else perspective.  Though I don't know much about embedding metadata, so I'd like to look into that more.

2/12/18 - Reading "The Sound Effects Bible"


Read 8 pages today.  Finished the chapter on what the author calls "The Ten Sound Editing Commandments".  Read #9 and 10 today, which included notes on making clean cuts, good editing points, pacing, protecting your ears, suggested audio levels, and a mantra for editing good audio: L-I-S-T-E-N.

I won't explain what the letters mean here, but I'm definitely planning to revisit it when I start audio work on my film.  A great workflow (simple, yet detailed) that could solve some of the problems I've been having try to make my audio as close to a professional mix as possible.  I think "processing" is where I need the most work: compression, EQ, normalizing, etc.

Also, I just realized where one issue was happening all these years (these "pops" in my temp music): the zero line!  It all makes sense now!  :)

February 11, 2018

2/11/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Continuing the chapter on what the author calls "The Ten Sound Editing Commandments".  Read #5-8 today, which included notes on cropping sounds, naming/organizing sounds, managing stereo fields, zero points, and fading.

I'd like to learn more about how to manage zero points, because I recently encountered a problem with this myself and couldn't find a way to fix it.  Maybe I just need some more professional tools.  Will look into this.

2/10/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Starting a new chapter on what the author calls "The Ten Sound Editing Commandments".  Read #1-4 today, which included notes about file naming, file/session saving, and managing media files.

February 9, 2018

2/9/18 - Reading "The Sound Effects Bible"


Read 6 pages today.  A full short chapter on designing your own home studio.  Topics included:
  • creating a good space for work (calm, focused, inspiring, etc.)
  • recording space + control/editing room (if possible)
  • wiring cables
  • room acoustics
  • noise reduction (both from outside, and in)
  • lighting (an effect on your senses)

A lot of great info in this chapter.  A lot I would never even think of.  Unfortunately, I don't really have the space or budget to do much of it right now, but there's a few things I could try to improve my workplace for creativity and productivity.  I should come back to this chapter someday in the future when I really have the resources to actually start designing a studio.  There's a lot of subtle nuances involved to foster the best environment.

2/8/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Finished the chapter on studio equipment.  Topics included:
  • storage
    • store files on external drives
    • backup
  • more gear/fancier gear does not mean better end result
  • control surfaces
    • (never really had experience with these aside from MIDI keyboards and whatnot, but would love to try)
  • monitor management
    • Big Knob (Mackie)
    • PreSonus Central Station
    • functions:
      • talkback
      • dimming
      • mono mixdown
      • muting
      • headphone cues
      • input selection
      • monitor selection
  • power conditioners

February 7, 2018

2/7/18 - Reading "The Sound Effects Bible"


Read 5 pages today.  Continuing the chapter on studio equipment.  Getting a little more technical now.  Topics included:
  • monitors
    • like speakers, but for professional use, more accurate
    • active monitors
    • passive monitors
  • placement of monitors
    • far field
    • near field
    • headphones
  • positioning
  • playback reference
    • (Boy, am I used to this one!)
  • playback volume
    • (And such a beginner at this one!  Both really…  But man, am I used to the frustration of hearing my mix so differently between different systems.)
  • when to turn monitors on and off
    • in relation to other equipment for safety

February 6, 2018

2/6/18 - Reading "The Sound Effects Bible"


Read 7 pages today.  Continuing the chapter on studio equipment.  Topics included:
  • plug-ins
    • insert silence
    • limiter
    • noise reduction
    • normalizer
    • pitch shift
    • reverb
    • spectrum analyzer
    • time stretch/time compression
    • plug-in chains
  • sound cars
  • audio interfaces

February 5, 2018

2/5/18 - Reading "The Sound Effects Bible"


Read 8 pages today.  Starting a chapter on studio equipment.  Topics included:
  • DAWs
    • five main components
    • three types
      • editing workstation
      • loop-based workstation
      • multitrack workstation
  • plug-ins
    • simulators
    • automation
    • channel converters
    • compressor
    • graphic equalizer
    • paragraphic equalizer
    • gate

Also learned an interesting bit about how Pro Tools (the industry standard) works differently than other software.  Tomorrow I'll continue with more plug-ins.

February 4, 2018

2/4/18 - Reading "The Sound Effects Bible"


Read 7 pages today.  A full short chapter on the technical aspects of digital audio.  Topics included:
  • sample rate
    • the author gives a really nice, concise description for this (complete with a very helpful diagram)
    • the Nyquist Theorem
  • bit depth
    • a.k.a. quantization
    • a nice description for this as well
  • file size
    • and how it's calculated from the aspects above
  • professional file formats
  • consumer file formats
  • time code
  • MIDI

It was cool learning the more technical (even scientific) aspects of audio recording (even if it was just a really brief overview).  Some of it went over my head a little (though that doesn't really affect my ability to record/create good sound), but it would be cool to research and learn more in depth about this stuff in the future.

2/3/18 - Reading "The Sound Effects Bible"


Read 4 pages today.  A short little bit on "tips and tricks" for Foley recording.  Topics included:
  • Listening with your eyes closed
  • Different ways of holding/using the prop
  • Using proper safety equipment
  • Wearing quiet clothes
  • Don't let your stomach growl (haha)
  • Turn off cellphones
    • This one was interesting as it pointed out that even silent phones left on can cause interference.  I've never had trouble with this on set, but then again my equipment isn't as sensitive yet as a true professional setup, and I do every now and then get a frequency in the recording that I can't figure out where it came from.  Hm...
  • Using sound dampeners
  • List of suggested Foley supplies
    • Man, some of these items sound like straight up demolition supplies… haha

February 2, 2018

2/2/18 - Reading "The Sound Effects Bible"


Read 7 pages today.  All about the "art of Foley".  Topics included:
  • Foley pits, various types (surfaces, textures)
  • materials and props
  • where to find props
  • collecting/organizing props and surfaces

February 1, 2018

2/1/18 - Reading "The Sound Effects Bible"

I liked my new writing style from last time, so I think I'm gonna stick with it for posts like this from now on.  Also, of special note, with this post I have now matched my entire amount of posts for all of 2016!  Man, I'm doing good this year!  :D  Or maybe I just really slacked in 2016…  Lol


Read 8 pages today.  A full short chapter on building your own foley stage.  Topics included:
  • Jack Foley
  • foley stage
  • sound stage
  • reverb
  • using a home garage vs. home basement
  • doors, walls, floors, and ceilings
  • sound blankets
  • sound foam
  • carpets
  • air flow

I'm still not ready to really design my own foley stage yet, but these tips will be useful in my makeshift purposes for now.

January 31, 2018

1/31/18 - Reading "The Sound Effects Bible"

I may have found my new posting style for subjects that could sort of encroach upon copyright issues (such as reading and writing about what I read in a book on a daily basis).  Here's a basic template:

Read ??? pages today.  Topics included:
  • Topic 1
  • Topic 2
  • Etc.
[Additional thoughts]

The remainder of today's post will be a test run in my new minimal style.  Here we go:


Read 8 pages today.  A full short chapter on gathering sound effects.  Topics included:
  • Choosing the right location
  • How time of day affects sounds
  • Background environment noise, avoid or embrace
  • Verify authorization/safety/restrictions with site owners
  • Know what you want to record beforehand, but allow for on set creativity

January 30, 2018

1/30/18 - Reading "The Sound Effects Bible"


Today's reading was all about the final "Sound Recording Commandment", #10.  Basically, just be aware of copyrights and don't break them.  Mostly this means avoiding having accidental copyrighted music in the background of an ambience or something.  But there are many other things that can be copyrighted.  I personally don't know much about copyright law, only a slim introduction, and as such I basically just create everything on my own from scratch.  This is time-consuming, but I'd rather feel free to showcase my work wherever and however, than nervous if I'm infringing on copyright or not.  I would love to check out an entire book dedicated to just copyright law; it would be a difficult read, but I really would like to know the in's and out's further.

On a related note, I've been wondering how copyright comes into play with the way I'm structuring my blog right now.  I love reading this book as a part of it, learning and charting my progress, but I'm nervous about sharing too much of the contents of the book.  I've made a rule to only briefly touch upon the subjects that are covered, and entirely in my own words.  My basic premise is that what I write can only "whet the appetite" of potential readers, that to really gain any true knowledge you have to read the book itself, not my blog.  Still, I'm not sure how much I'm technically allowed to write, and the more I read and write, the more I'm not sure.  Perhaps the solution (at least for book readings like this, online courses, etc.) is to simply not elaborate, to not write my thoughts or what was even covered.  Maybe one quick statement like "today's reading was about copyright" and leave it at that.  I don't know, I like formulating my own thoughts and writing them down here, but I might continue the rest of the book more minimally.  We'll see.  In the future though I'd still really like to learn more about what's allowed and what isn't.

January 29, 2018

1/29/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #9.  Basically, always be prepared.  Bring extra tapes, bring extra batteries, whatever you need for the shoot, no matter what kind of shoot or what your position is, always be prepared for things to not go as planned.  Anyone who works long enough in filmmaking will become well acquainted with Murphy's Law, and I'm very aware of the chaos that comes with production.  I think I'm pretty good when I'm preparing for a major scene, but sometimes I slack when it's a smaller insert or something.  Overall I'd say I'm pretty good, but it's a good lesson to continually remind oneself to check and prepare often: the week before, the day before, the day of, throughout the day, etc.

January 28, 2018

1/28/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #8.  Really straight-forward and obvious one here: point the mic at the sound.  Sounds funny to have to point that out, but he gives a few examples where this might not be completely obvious, the more nuanced effects of your direction/position of the mic.  I won't explain them all here (you'll have to check out the actual book for that), but here's some bullet points at a glance:
  • focus on the sound's source
  • stereo "images"
  • preserve stereo fields
  • left/right swapping
  • when to move during a take (follow the action), and when not to

January 27, 2018

1/27/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #7.  Basically, once you start a take don't interrupt it.  He makes a note that even if a mistake happens don't try to correct it until the take is over.  Don't adjust levels, don't move to an unplanned position, just the let the take unfold as it happens, and make adjustments after the take is over.  After all, some of those accidental mistakes can provide for great sound effects later on.  This same concept applies to film takes as well, unless you're the director and you know you're not gonna use something, just commit to the take for as long as you can (especially if you're an actor), because some of the greatest gold on film can be captured that way.

Of course, he does include the caveat that adjustments on the fly should be permitted for events that only have one take (though very cautiously).  I remember recording an interview with someone at a marathon, and their time with us was very limited before they were off again.  My levels were way too low at the beginning, and I made the split-second decision to raise the volume mid-interview (close to the beginning).  I was very reluctant, but I ultimately decided that I'd rather potentially sabotage the brief beginning than sabotage the rest of the interview; I knew we might not even use the beginning at all, and the choice to raise mid-interview was what I decided upon.  All in all though, I totally agree with this one: where possible, don't interrupt things, just let the take play out and fix the mistakes on another take or in post if feasible.

He also suggests some ways to communicate to performers during a take without affecting the recording.

January 26, 2018

1/26/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #6.  Another pretty simple one, but very important: remember to eliminate all background noise.  I'm well aware of this, and I think I'm pretty good at it.  When I film indoors I turn off the air-conditioning and sometimes even the lights in the room, close doors to rooms that have devices I can't unplug (like a refrigerator, though the author says it's fine for a moment?  I should research how long you can unplug something like that without spoiling the foods.).  Outdoors you have less control (traffic, birds, people) so you'll generally want to plan accordingly for that well before setting up the shoot, pick the right time of day, right location, wait on certain takes till a noise passes (like an airplane or flock of birds), etc.

One interesting thing the author notes is to often listen not for the sound you're recording, but for the sounds you're not recording.  I can relate to that as that's one of the main reason I put on headphones on set.

He then goes on to list various background noises that can be problematic and how to fix them:
  • AC buzz/hum
  • air conditioning/heating rumble
  • vehicles
    • plus cool down sounds after parking
  • clocks
  • fluorescent lights/ballast hum
  • insects
  • planes
  • refrigerators
  • reverb
  • room tone
    • sampling for noise reduction
  • TV sets
  • traffic

January 25, 2018

1/25/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #5.  Pretty simple this time, basically just make sure to use headphones.  Monitor your levels with your eyes, but monitor your sounds with your ears.  This one is pretty obvious, because how else would you know if your sounds are coming out good or not?  Not until the edit, and that's way too late to realize that your soft breathing was actually being picked up by the mic the whole time.

Of course, I'm a little nervous to always wear headphones (particularly while recording a loud noise for instance), but where appropriate it's good to just ensure you're using them as often as possible.

1/24/18 - Reading "The Sound Effects Bible"


Posting for the previous day again…  Continuing today with "Recording Commandment" #4.  A simple one today, basically just remember to check your recording levels frequently: during daily prep, before a take, after a take, etc.  Just continually ensure that you're actually getting what you want and not recording too low (too soft and meshed with noise) or too hot (resulting in clipping).

One interesting thing he pointed out was to adjust volume levels based on the meters, not your ears.  I'm fairly used to this in the editing room, but due to my lack of fancy audio recorders I don't have much experience with this while actually gathering sounds.  Definitely something I'll have to remember as I upgrade my equipment.

January 23, 2018

1/23/18 - Reading "The Sound Effects Bible"


Continuing with what the author calls "The Ten Recording Commandments"… today's reading was all about #3.  Basically, it's all about slating each take on a recording.  Just like a clapboard on a film, slating each take is very useful for reorienting yourself with the material in the edit.  You might think you'll remember what everything is/was, but I know from experience that things can get very confusing by the time you go to edit if you don't properly mark and organize everything when you originally record it.

I definitely need some work on this one, both in terms of audio and video.  Sometimes I'll slate, but more often than not I won't… and it does get confusing sometimes, especially with the sound effects recordings that aren't tied to a specific scene.

One interesting thing I learned about today was a "slate mic".  This is useful if your actual mic is way far away from the recordist, and otherwise hard to slate with your voice.  Also learned the term: "tail slates".

January 22, 2018

1/22/18 - Reading "The Sound Effects Bible"


Continuing with what the author calls "The Ten Recording Commandments"… today's reading was all about the second one.  Basically, just ensure that you record everything you might need while you can.  Record more than you need.  As the old film saying goes, "You can't edit what's not there."  Give yourself enough material that you can easily work in post.  Of course, don't overdo it.

He introduces some concepts:
  • safety takes
    • multiple "just in case"
    • and vary them
  • source material
    • extra things you don't use can be repurposed later
  • ambiences
    • I don't want to share too much of what's in the book (you gotta buy it for yourself to get all the details), but I just love this quote so I had to share it:
      • "Ambiences are best created as a bed of sounds that identifies a location without being specific."
    • specific "identifiers" = bad
  • surround ambiences
    • simple ways to combine non-surround tracks and make them surround

And one final idea?  Don't be afraid to record something that you completely end up deleting in post.  I have a problem with this one, as I tend to get attached to everything I film/record (whether it's good or not).  It's just who I am, sort of an archive nut.  But I should try to retrain myself, prepare myself that some of the takes aren't going to provide anything, and be okay with deleting them.

January 21, 2018

1/21/18 - Reading "The Sound Effects Bible"


Started a new chapter today on what the author calls: "The Ten Recording Commandments".  Today I just focused on the first one, which was all about ensuring that you have a couple of seconds of audio before and after the actual sound you're recording.  Basically, just preparing your recording so you have enough material to make effective edits during post-production.

I perceive this also from a video perspective: have the camera roll for a few seconds before and after each take.  I'd say I'm pretty good with both already, in fact probably a little too good on the after part as I tend to let it roll well after the take is done.

One new thing I learned though, which I don't yet have the capabilities for (maybe with my new mic, whenever I get it), is a thing called "pre-record buffer" that sounds really cool.  Basically, the mic just keeps recording all the time while it's running (or maybe just after you hit a specific button, I don't know), but it doesn't actually commit all that to memory until you hit the regular record button (when you start to the hear the actual sound you want).  It then provides you with a recording that starts 10 seconds or so BEFORE you even hit the record button!  A really cool feature that I'll definitely want to try in the future.

January 20, 2018

1/20/18 - Reading "The Sound Effects Bible"


Read a full chapter today, though it was only about 6 pages.  It was all about building a field recording package.  He described three levels, and the general differences between each:
  • basic recording package
  • standard recording package
  • professional recording package

He also gave a lot of specific examples of equipment of the day that would fit into each category.  I'm not sure what has changed in the market since this book was printed, but I figure most of the companies will probably be the same.

He also wrapped up the chapter with extra little do-dads you might want to include in your package.  Man, I really need to get some sandbags.

1/19/18 - Reading "The Sound Effects Bible"

Back to posting on the wrong day again… but I've been really on top of this blog lately otherwise, so I'd say I'm doing good!


Continued today with more functions of recorders.  Today's topics included:
  • clipping
  • limiter
  • mic/line level
    • need to research this one more in the future, I was a little confused
  • power supply
    • mostly about different types of battery options
    • also portable vs. studio setups
  • sample rates/quantization
  • daily setup
    • suggestions for writing daily procedure lists when handling equipment
    • also daily wrap up
  • backing up to DVD's
    • I think this book was printed in 2008, and I'm curious if the author would still recommend backing to DVD or would he suggest Blu-ray or online storage
  • headphones
  • headphone amplifiers
  • confidence monitoring
  • connectors (cables)
    • male and female
    • barrels (connect female to female, or male to male)
    • phone jacks
      • 1/8" and 1/4"
      • TS (tip/sleeve)
      • TRS (tip, ring, sleeve)
    • RCA
    • XLR
      • It was funny learning the origins of the name.

And that wraps up the chapter on recorders.  Read a lot more than I usually do today, but it was definitely a good use of my time.

January 18, 2018

1/18/18 - Reading "The Sound Effects Bible"

Just realized I've already made more posts this January than I did throughout the entirety of 2017!  I'm not sure whether to be sad or proud about that.  Haha.

Anyway, more reading from "The Sound Effects Bible"…


Continued the chapter on recorders today.  A brief bit on modern recorders, two examples, then starting to explain the functions within recorders.  A little bit on "gain staging", and then introducing the concept of multitrack recordings not always being just "left and right".  Tomorrow's reading will go more in-depth into detailed functions.

January 17, 2018

1/17/18 - Reading "The Sound Effects Bible"


Started a new chapter today, all about recorders.  Today's reading was a brief history of recording devices.  Today's topics included:
  • phonograph
  • gramophone
  • telegraphone
  • magnetophone
  • nagra
  • compact discs
  • DAT (digital audio tape)
  • hard disk recording

I even did some google image searches for many of these, which was fun.

January 16, 2018

1/16/18 - Reading "The Sound Effects Bible" (100th Post)

~ 100th POST TODAY! ~

I created this blog a little over 2 years ago, back in October of 2015, and man… for a daily blog you'd think I would have had more than 100 posts by now!  Hah!  Oh well…  I'm doing pretty good so far this year though, so maybe I'll be at that 365 milestone in no time!  :)

But back to your regularly scheduled blog post…

More reading from "The Sound Effects Bible"!


Another short bit of reading today, finishing up a chapter on microphone accessories.  Today's topics included:
  • pop filters
    • plosives (b's and p's)
  • pads
  • cables
    • balanced
    • unbalanced
  • cable testers
  • external phantom power supplies
  • silica gel packets

Looking back on my past with this blog I'm glad I'm now including these "learning only" posts as well.  Not always having to create something each day makes a daily goal much more attainable, and very much still in the spirit of why I created this blog in the first place.

Looking forward to the next 100!  And eventually that very special 365!  :)

1/15/18 - Reading "The Sound Effects Bible"

Missed posting on the right day again, but only by about 20 min. so not a big a deal.


Short bit today, continuing with the chapter on microphone accessories.  Today's topics included:
  • microphone stands
  • boom poles
    • coil-cabled
    • straight-cabled

January 14, 2018

1/14/18 - Reading "The Sound Effects Bible"


New chapter today, all about microphone accessories.  Today's reading was all about getting better sound while recording outdoors, and avoiding undesirable "wind noise".  Today's reading included:
  • shock mounts
    • pistol grip
  • windscreens
  • zeppelins / windshields
  • windjammers / windsocks
  • hi-wind covers

January 12, 2018

1/12/18 - Reading "The Sound Effects Bible"


Continuing again today with more reading on different types of microphones.  Today's reading included:
  • instrument microphones
  • hydrophones (underwater microphones)
  • binaural microphones
  • surround sound microphones

That finishes up this chapter.  Next I'll continue with microphone accessories.