January 31, 2018

1/31/18 - Reading "The Sound Effects Bible"

I may have found my new posting style for subjects that could sort of encroach upon copyright issues (such as reading and writing about what I read in a book on a daily basis).  Here's a basic template:

Read ??? pages today.  Topics included:
  • Topic 1
  • Topic 2
  • Etc.
[Additional thoughts]

The remainder of today's post will be a test run in my new minimal style.  Here we go:


Read 8 pages today.  A full short chapter on gathering sound effects.  Topics included:
  • Choosing the right location
  • How time of day affects sounds
  • Background environment noise, avoid or embrace
  • Verify authorization/safety/restrictions with site owners
  • Know what you want to record beforehand, but allow for on set creativity

January 30, 2018

1/30/18 - Reading "The Sound Effects Bible"


Today's reading was all about the final "Sound Recording Commandment", #10.  Basically, just be aware of copyrights and don't break them.  Mostly this means avoiding having accidental copyrighted music in the background of an ambience or something.  But there are many other things that can be copyrighted.  I personally don't know much about copyright law, only a slim introduction, and as such I basically just create everything on my own from scratch.  This is time-consuming, but I'd rather feel free to showcase my work wherever and however, than nervous if I'm infringing on copyright or not.  I would love to check out an entire book dedicated to just copyright law; it would be a difficult read, but I really would like to know the in's and out's further.

On a related note, I've been wondering how copyright comes into play with the way I'm structuring my blog right now.  I love reading this book as a part of it, learning and charting my progress, but I'm nervous about sharing too much of the contents of the book.  I've made a rule to only briefly touch upon the subjects that are covered, and entirely in my own words.  My basic premise is that what I write can only "whet the appetite" of potential readers, that to really gain any true knowledge you have to read the book itself, not my blog.  Still, I'm not sure how much I'm technically allowed to write, and the more I read and write, the more I'm not sure.  Perhaps the solution (at least for book readings like this, online courses, etc.) is to simply not elaborate, to not write my thoughts or what was even covered.  Maybe one quick statement like "today's reading was about copyright" and leave it at that.  I don't know, I like formulating my own thoughts and writing them down here, but I might continue the rest of the book more minimally.  We'll see.  In the future though I'd still really like to learn more about what's allowed and what isn't.

January 29, 2018

1/29/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #9.  Basically, always be prepared.  Bring extra tapes, bring extra batteries, whatever you need for the shoot, no matter what kind of shoot or what your position is, always be prepared for things to not go as planned.  Anyone who works long enough in filmmaking will become well acquainted with Murphy's Law, and I'm very aware of the chaos that comes with production.  I think I'm pretty good when I'm preparing for a major scene, but sometimes I slack when it's a smaller insert or something.  Overall I'd say I'm pretty good, but it's a good lesson to continually remind oneself to check and prepare often: the week before, the day before, the day of, throughout the day, etc.

January 28, 2018

1/28/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #8.  Really straight-forward and obvious one here: point the mic at the sound.  Sounds funny to have to point that out, but he gives a few examples where this might not be completely obvious, the more nuanced effects of your direction/position of the mic.  I won't explain them all here (you'll have to check out the actual book for that), but here's some bullet points at a glance:
  • focus on the sound's source
  • stereo "images"
  • preserve stereo fields
  • left/right swapping
  • when to move during a take (follow the action), and when not to

January 27, 2018

1/27/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #7.  Basically, once you start a take don't interrupt it.  He makes a note that even if a mistake happens don't try to correct it until the take is over.  Don't adjust levels, don't move to an unplanned position, just the let the take unfold as it happens, and make adjustments after the take is over.  After all, some of those accidental mistakes can provide for great sound effects later on.  This same concept applies to film takes as well, unless you're the director and you know you're not gonna use something, just commit to the take for as long as you can (especially if you're an actor), because some of the greatest gold on film can be captured that way.

Of course, he does include the caveat that adjustments on the fly should be permitted for events that only have one take (though very cautiously).  I remember recording an interview with someone at a marathon, and their time with us was very limited before they were off again.  My levels were way too low at the beginning, and I made the split-second decision to raise the volume mid-interview (close to the beginning).  I was very reluctant, but I ultimately decided that I'd rather potentially sabotage the brief beginning than sabotage the rest of the interview; I knew we might not even use the beginning at all, and the choice to raise mid-interview was what I decided upon.  All in all though, I totally agree with this one: where possible, don't interrupt things, just let the take play out and fix the mistakes on another take or in post if feasible.

He also suggests some ways to communicate to performers during a take without affecting the recording.

January 26, 2018

1/26/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #6.  Another pretty simple one, but very important: remember to eliminate all background noise.  I'm well aware of this, and I think I'm pretty good at it.  When I film indoors I turn off the air-conditioning and sometimes even the lights in the room, close doors to rooms that have devices I can't unplug (like a refrigerator, though the author says it's fine for a moment?  I should research how long you can unplug something like that without spoiling the foods.).  Outdoors you have less control (traffic, birds, people) so you'll generally want to plan accordingly for that well before setting up the shoot, pick the right time of day, right location, wait on certain takes till a noise passes (like an airplane or flock of birds), etc.

One interesting thing the author notes is to often listen not for the sound you're recording, but for the sounds you're not recording.  I can relate to that as that's one of the main reason I put on headphones on set.

He then goes on to list various background noises that can be problematic and how to fix them:
  • AC buzz/hum
  • air conditioning/heating rumble
  • vehicles
    • plus cool down sounds after parking
  • clocks
  • fluorescent lights/ballast hum
  • insects
  • planes
  • refrigerators
  • reverb
  • room tone
    • sampling for noise reduction
  • TV sets
  • traffic

January 25, 2018

1/25/18 - Reading "The Sound Effects Bible"


Today's reading was all about "Sound Recording Commandment" #5.  Pretty simple this time, basically just make sure to use headphones.  Monitor your levels with your eyes, but monitor your sounds with your ears.  This one is pretty obvious, because how else would you know if your sounds are coming out good or not?  Not until the edit, and that's way too late to realize that your soft breathing was actually being picked up by the mic the whole time.

Of course, I'm a little nervous to always wear headphones (particularly while recording a loud noise for instance), but where appropriate it's good to just ensure you're using them as often as possible.

1/24/18 - Reading "The Sound Effects Bible"


Posting for the previous day again…  Continuing today with "Recording Commandment" #4.  A simple one today, basically just remember to check your recording levels frequently: during daily prep, before a take, after a take, etc.  Just continually ensure that you're actually getting what you want and not recording too low (too soft and meshed with noise) or too hot (resulting in clipping).

One interesting thing he pointed out was to adjust volume levels based on the meters, not your ears.  I'm fairly used to this in the editing room, but due to my lack of fancy audio recorders I don't have much experience with this while actually gathering sounds.  Definitely something I'll have to remember as I upgrade my equipment.

January 23, 2018

1/23/18 - Reading "The Sound Effects Bible"


Continuing with what the author calls "The Ten Recording Commandments"… today's reading was all about #3.  Basically, it's all about slating each take on a recording.  Just like a clapboard on a film, slating each take is very useful for reorienting yourself with the material in the edit.  You might think you'll remember what everything is/was, but I know from experience that things can get very confusing by the time you go to edit if you don't properly mark and organize everything when you originally record it.

I definitely need some work on this one, both in terms of audio and video.  Sometimes I'll slate, but more often than not I won't… and it does get confusing sometimes, especially with the sound effects recordings that aren't tied to a specific scene.

One interesting thing I learned about today was a "slate mic".  This is useful if your actual mic is way far away from the recordist, and otherwise hard to slate with your voice.  Also learned the term: "tail slates".

January 22, 2018

1/22/18 - Reading "The Sound Effects Bible"


Continuing with what the author calls "The Ten Recording Commandments"… today's reading was all about the second one.  Basically, just ensure that you record everything you might need while you can.  Record more than you need.  As the old film saying goes, "You can't edit what's not there."  Give yourself enough material that you can easily work in post.  Of course, don't overdo it.

He introduces some concepts:
  • safety takes
    • multiple "just in case"
    • and vary them
  • source material
    • extra things you don't use can be repurposed later
  • ambiences
    • I don't want to share too much of what's in the book (you gotta buy it for yourself to get all the details), but I just love this quote so I had to share it:
      • "Ambiences are best created as a bed of sounds that identifies a location without being specific."
    • specific "identifiers" = bad
  • surround ambiences
    • simple ways to combine non-surround tracks and make them surround

And one final idea?  Don't be afraid to record something that you completely end up deleting in post.  I have a problem with this one, as I tend to get attached to everything I film/record (whether it's good or not).  It's just who I am, sort of an archive nut.  But I should try to retrain myself, prepare myself that some of the takes aren't going to provide anything, and be okay with deleting them.

January 21, 2018

1/21/18 - Reading "The Sound Effects Bible"


Started a new chapter today on what the author calls: "The Ten Recording Commandments".  Today I just focused on the first one, which was all about ensuring that you have a couple of seconds of audio before and after the actual sound you're recording.  Basically, just preparing your recording so you have enough material to make effective edits during post-production.

I perceive this also from a video perspective: have the camera roll for a few seconds before and after each take.  I'd say I'm pretty good with both already, in fact probably a little too good on the after part as I tend to let it roll well after the take is done.

One new thing I learned though, which I don't yet have the capabilities for (maybe with my new mic, whenever I get it), is a thing called "pre-record buffer" that sounds really cool.  Basically, the mic just keeps recording all the time while it's running (or maybe just after you hit a specific button, I don't know), but it doesn't actually commit all that to memory until you hit the regular record button (when you start to the hear the actual sound you want).  It then provides you with a recording that starts 10 seconds or so BEFORE you even hit the record button!  A really cool feature that I'll definitely want to try in the future.

January 20, 2018

1/20/18 - Reading "The Sound Effects Bible"


Read a full chapter today, though it was only about 6 pages.  It was all about building a field recording package.  He described three levels, and the general differences between each:
  • basic recording package
  • standard recording package
  • professional recording package

He also gave a lot of specific examples of equipment of the day that would fit into each category.  I'm not sure what has changed in the market since this book was printed, but I figure most of the companies will probably be the same.

He also wrapped up the chapter with extra little do-dads you might want to include in your package.  Man, I really need to get some sandbags.

1/19/18 - Reading "The Sound Effects Bible"

Back to posting on the wrong day again… but I've been really on top of this blog lately otherwise, so I'd say I'm doing good!


Continued today with more functions of recorders.  Today's topics included:
  • clipping
  • limiter
  • mic/line level
    • need to research this one more in the future, I was a little confused
  • power supply
    • mostly about different types of battery options
    • also portable vs. studio setups
  • sample rates/quantization
  • daily setup
    • suggestions for writing daily procedure lists when handling equipment
    • also daily wrap up
  • backing up to DVD's
    • I think this book was printed in 2008, and I'm curious if the author would still recommend backing to DVD or would he suggest Blu-ray or online storage
  • headphones
  • headphone amplifiers
  • confidence monitoring
  • connectors (cables)
    • male and female
    • barrels (connect female to female, or male to male)
    • phone jacks
      • 1/8" and 1/4"
      • TS (tip/sleeve)
      • TRS (tip, ring, sleeve)
    • RCA
    • XLR
      • It was funny learning the origins of the name.

And that wraps up the chapter on recorders.  Read a lot more than I usually do today, but it was definitely a good use of my time.

January 18, 2018

1/18/18 - Reading "The Sound Effects Bible"

Just realized I've already made more posts this January than I did throughout the entirety of 2017!  I'm not sure whether to be sad or proud about that.  Haha.

Anyway, more reading from "The Sound Effects Bible"…


Continued the chapter on recorders today.  A brief bit on modern recorders, two examples, then starting to explain the functions within recorders.  A little bit on "gain staging", and then introducing the concept of multitrack recordings not always being just "left and right".  Tomorrow's reading will go more in-depth into detailed functions.

January 17, 2018

1/17/18 - Reading "The Sound Effects Bible"


Started a new chapter today, all about recorders.  Today's reading was a brief history of recording devices.  Today's topics included:
  • phonograph
  • gramophone
  • telegraphone
  • magnetophone
  • nagra
  • compact discs
  • DAT (digital audio tape)
  • hard disk recording

I even did some google image searches for many of these, which was fun.

January 16, 2018

1/16/18 - Reading "The Sound Effects Bible" (100th Post)

~ 100th POST TODAY! ~

I created this blog a little over 2 years ago, back in October of 2015, and man… for a daily blog you'd think I would have had more than 100 posts by now!  Hah!  Oh well…  I'm doing pretty good so far this year though, so maybe I'll be at that 365 milestone in no time!  :)

But back to your regularly scheduled blog post…

More reading from "The Sound Effects Bible"!


Another short bit of reading today, finishing up a chapter on microphone accessories.  Today's topics included:
  • pop filters
    • plosives (b's and p's)
  • pads
  • cables
    • balanced
    • unbalanced
  • cable testers
  • external phantom power supplies
  • silica gel packets

Looking back on my past with this blog I'm glad I'm now including these "learning only" posts as well.  Not always having to create something each day makes a daily goal much more attainable, and very much still in the spirit of why I created this blog in the first place.

Looking forward to the next 100!  And eventually that very special 365!  :)

1/15/18 - Reading "The Sound Effects Bible"

Missed posting on the right day again, but only by about 20 min. so not a big a deal.


Short bit today, continuing with the chapter on microphone accessories.  Today's topics included:
  • microphone stands
  • boom poles
    • coil-cabled
    • straight-cabled

January 14, 2018

1/14/18 - Reading "The Sound Effects Bible"


New chapter today, all about microphone accessories.  Today's reading was all about getting better sound while recording outdoors, and avoiding undesirable "wind noise".  Today's reading included:
  • shock mounts
    • pistol grip
  • windscreens
  • zeppelins / windshields
  • windjammers / windsocks
  • hi-wind covers

January 12, 2018

1/12/18 - Reading "The Sound Effects Bible"


Continuing again today with more reading on different types of microphones.  Today's reading included:
  • instrument microphones
  • hydrophones (underwater microphones)
  • binaural microphones
  • surround sound microphones

That finishes up this chapter.  Next I'll continue with microphone accessories.

January 11, 2018

1/11/18 - Reading "The Sound Effects Bible"


Continuing today with more reading on different types of microphones.  Today's reading included:
  • general purpose microphones
  • vocal/voiceover microphones
  • lavaliere microphones

Just a short bit today, but that's the goal of the blog: just a little bit each day.

January 10, 2018

1/10/18 - Reading "The Sound Effects Bible"

Back again, and finally posting on the day I'm supposed to!  More reading…


Continuing where I left off yesterday, more info on different styles of microphones.  Today's topic was shotgun microphones (as well as stereo shotgun microphones).  Like last time, the author also included a few examples of specific microphones of the day.

I'm looking to invest in some new audio equipment in the near future, most notably for recording dialogue on set, and a shotgun microphone will probably be the way to go.

1/9/18 - Reading "The Sound Effects Bible"

Back again!  Still posting on the day after the fact, but only missed it by about 20 min. so I'm getting better!  More reading…


Today's reading was all about different microphone models.

Terms to remember:
  • stereo microphone
    • spaced pair
    • XY
    • MS (need to research this one more to really understand)
  • shotgun microphone
  • stereo shotgun microphone
  • general purpose microphone
  • vocal/voiceover microphone
  • lavaliere microphone
  • instrument microphone
  • hydrophone (underwater microphone)
  • binaural microphone
  • surround sound microphone

The author describes each type and gives examples of actual microphones of the day.  It was a lot to take in, so for today I just focused on the stereo microphone, and learned the different styles within that.

January 9, 2018

1/8/18 - Reading "The Sound Effects Bible"

Back again with another post at 3 in the morning for a previous day!  lol  More reading…


Finished up a chapter, so only a short bit today.

Terms to remember:
  • High Pass Filter (HPF)
    • a.k.a. low-cut filter
    • I'm used to this in post, but didn't realize the were options for using this on the actual mic, during the recording itself
  • Microphone Patterns
    • a.k.a. pickup pattern
    • omnidirectional
    • cardioid
    • hypercardioid
    • supercardioid
    • bidirectional (figure eight)

In the next chapter I'll learn when to use one type over the other.  Most of this I'm already familiar with so far, but it's a good refresher.

January 6, 2018

1/5/18 - Reading "The Sound Effects Bible"

Back again.  Been meaning to post the past few days but my schedule always seems to be off.  When I'm finally ready to post it's usually after midnight and into the next day (as is the case right now).  And since this blog operates as a daily goal, I was reluctant to post on a different day and confuse things.

But I got over that.  And now here I am, posting for yesterday at about 3 in the morning.  :)


Anyway, more reading for "The Sound Effects Bible".  Currently getting a basic overview of the different types of microphones out there and the way they operate, the different functionalities and the way they color your sound recordings.  I won't go into too much detail though (you'll have to check out the book yourself for that).

Some terms:
  • dynamic microphone
  • condenser microphone (main type that's used)
  • ribbon microphone (not described in the book)
    • (upon further research, I believe this is not described because it is more commonly used for things other than sound effects recording, maybe more for casual voice: radio shows, award shows, etc.)
  • phantom power
  • proximity effect
  • frequency response
  • flat frequency response (usually preferred)

January 1, 2018

1/1/18 - Reading "The Sound Effects Bible"

Wow!  It's been a long time since my last post!  Can't believe I only got 2 months into 2017…

No matter.

I'm returning once again and the dream for this blog has not left me.  I have some new ideas for the blog, some new techniques to keep me active with it, and I'm ready to start again.

Currently I'm reading a book on sound design called "The Sound Effects Bible".


Bought it several years ago, but only now am I finally starting to read it.  And it's great!  Read through the first couple of chapters as though I was reading a novel (I just kept wanting to read more).  I'm currently entering the sound editing/design stage for a film I'm working on, and reading this alongside that will be a nice resource for tips and inspiration.

Anyway, looking forward to posting more in detail as I progress along, and excited to finally get back to this blog!

~ Happy New Year! ~